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Yummy Summer Reading

 

I admit it. Sometimes good books give me writer envy.
Why can’t I write award-winning literature like this?

But not these titles.
These books are sublime and exquisite and inventive and thought-provoking and make me grateful to be a reader. No room for envy. Just awe.
As my husband says, “Chapeau.”

IMG DESCR: book covers for  Of Women and Salt by Gabriela Garcia, cover art by Adalis Martinez Song of Solomon by Toni Morrison, cover design by Carol Devine Carson The Office of Historical Corrections by Danielle Evans, cover design by Lauren Peters-Collaer Pet by Akwaeke Emezi, cover art by Shyama Golden

IMG DESCR: book covers for
Of Women and Salt by Gabriela Garcia, cover art by Adalis Martinez
Song of Solomon by Toni Morrison, cover design by Carol Devine Carson
The Office of Historical Corrections by Danielle Evans, cover design by Lauren Peters-Collaer
Pet by Akwaeke Emezi, cover art by Shyama Golden

IMG DESCR: book covers for Mona at Sea by Elizabeth Gonzalez James, cover art by Cynthia Warren Luster by Raven Leilani, cover design by Nu Kim Interior Chinatown by Charles Yu, cover design by Tyler Comrie Flights by Olga Tokarczuk, cover design by Meighan Cavanaugh

IMG DESCR: book covers for
Mona at Sea by Elizabeth Gonzalez James, cover art by Cynthia Warren
Luster by Raven Leilani, cover design by Nu Kim
Interior Chinatown by Charles Yu, cover design by Tyler Comrie
Flights by Olga Tokarczuk, cover design by Meighan Cavanaugh


Summer Break for Scrivener

Classes will resume in the fall. For the time being, I am available for private consultations only. Drop me a line if you are interested!


IMG DESCR: Dancer en pointe on sidewalk. Photo credit: Janine Kovac

IMG DESCR: Dancer en pointe on sidewalk. Photo credit: Janine Kovac

Which reminds me… I wrote something. “Dancing on the Blade” received the 2021 San Francisco Foundation/Nomadic Press nonfiction award and was published this week in Under the Sun. You can read it here.

This essay isn’t for everyone. In fact, it comes with a content warning. I wrote it after dancing a healing ritual for Oakland’s sex-trafficked youth during the summer months of the pandemic.